Food mmMMMMmm

Food
I like food. I really love good food. In another life I may have even been a restaurant critic. Creating things is something that I enjoy doing and I do that with the photography. Creating good food is not my calling but eating it is. I do have a friend though that is really good at creating really good food. His name is Noel and he is the head chef at a real nice restaurant here in SA in a suburb called Westville. The restaurant name is Salute they do Italian style food.

I like new projects and thought I would try do a bit of food photography. Who better to help me with my food project than Noel. Noel is as passionate about his food as I am about my photography. Noel studied to be a chef and is gaining some wonderful recognition and has been in the local papers a few times recently. The restaurant critics find his food wonderful. An interesting fact abut Noel his creativity is not just in food. He is the vocalist in a band called Cynical Origin just in case you are wondering they are a Metal band - Rock on. One of the things a chef will learn at chef school is the client must eat with their eyes first. So to do this the chefs are taught about colours and presentation. Noel is damn good at presentation - the part that's really important to photograph.

Now photography is all about truth and reality. Yea Right. Truth about food photography is this. Unless you are selling the food directly in the photograph you can do anything you want. Fast food outlets need to be photographing real food for their menus. In other words if it is a burger with onions etc on the menu then the photo had to be taken of actual beef pattie and real onions. But who said it has to be a cooked pattie or onions without food colouring. If the food on the menu looks really good is the lawful representation then chances are if you had to pick up that exact burger that was photographed on that menu and took a bite you would get a mouth full of tooth picks, chemicals and raw meat and if you are really lucky you wont die.

Real food is hard to get looking really good unless you name is Noel. I decided a while back that real food is what I would like to photograph. I did a bit of reading on how food stylists do the food you will see in publications etc. I may look good but that's it. Most of the food you see in those pictures are not even edible. Seems a bit like cheating to me. Its a little like this "Heres this car I want you to photograph but I don't want you photograph the car you drive away with you must photograph this car with these crazy modifications that we have done that makes it impossible to drive it ever".

The food you see here is real and what you see is as it would be served to the hungry client sitting at the table. Lucky for me as I got to sample one of the dishes. Well did it taste as good as it looked? You better believe it. Since taste-o-vision and smell-o-vision is not widely available yet pictures will have to do.

One thing that I can say working with restaurant staff is use their experience. They know the real deal how long until the next plate to photograph will arrive and what is the right accompaniments to go with the food. Wine, condiments etc. Approach them with a positive attitude and show them some of those pictures they even start coming up with some great ides some you can and some you cant use but get them on you side and it makes you life a lot more simple. Noel was also really accommodating he would ask "what would you like next more height different colours". When this is you first time photographing food seriously having someone helping you by plating the food in a photograph friendly way does really help.
Just remember that the really fancy food photographs you see have been styled by a food stylist. What is a food stylist? you maybe wondering well their job is to get the food looking good that's it. They not interested in the photography. Thats your job. The food stylist will correct something that's showing or not showing on the food. They are not interested in Ive got a hotspot etc. That is partly the reason I wanted to do this shoot. It was to get a bit of experience with how to light the food, looks to go for, background, settings etc. To add context to the food the background is as important as the food.

In these shots the restaurant was open and serving customers so I could not really light the whole place and kick customers out the way. The restaurant sorted out a nice spot away from the rest of the tables. I could work and do what I needed to do with out being disturbed which was nice of them.
The lighting was not overly complex 3 speedlites. 2 set about 45 degrees either side of the camera and one as a background light. The two either side of the camera were in soft boxes. The background light was in some of the pictures fired bare onto a red wall and others through a red glass candle holder. I used the ETTL functions on the flashes and the nice thing about it was I could just dial in a 2:1 ratio between my key and fill flash and done. The bonus is that I can even do it from the camera and I don't even need touch the flashes. The only flash I did need to touch was the background light as it was not the most stable in the round candle holder on the floor. The shutter speed was about 1/200 and the aperture ranged between 2.8 and 7.1. I was using my Canon EF 24-70 F2.8 lens and dialed into my camera a +1 stop on the flash compensation. the reason is the camera will see the white plates as a serious highlight and back the flashes a bit. Post was just a bit of a crop and levels and a touch of vibrance to bring out the lovely rich colours of the food.

There are a few things I will do different in future I will be pulling the table cloth very straight. The other thing is working on getting something cool in the background. When I look at the photographs they are good but Imagine if I could get some of the restaurant and decor in the background. If done properly it would give more interest and context to the food. If I put the food on a bar it would imply a pub lunch or if a forest was in the background it would imply a picnic or or or - as if you could lug this out there. But you get the idea. I am happy with the photos.The food is well represented and looks yummy.

An extraordinary model

Pictures from shoot at studio
Model/s: Jana
Make-Up: Ebony
Photographer: Henrik

Equipment : Canon
Focal Length : 24-70 F2.8L 70-200 F2.8L
Aperture : F11 - F13
ISO : 100
Shutter speed : 1/160

I would like to start off by thanking all involved.
Thank you Thank you and Thank you.

now to parts that count What has happened to the Blog?
We have been working on the website so sorry Blog is really not getting regular updates
www.htfotography.co.za is where one can see some of our galleries etc.

As for the picures. I was reading a book and in the book ( yes I can Read) it said that to really make a wow picture one should use a good looking model. And its a sound piece of advice. That sound piece of advice does not really extend to the other pitfalls surrounding that piece of advice.
OK so you book a good looking model. Great only problem is the model probably went out partying the night before oh and did I mention she probably has boyfriend/girlfriend issues and a whole lot of other issues and maybe even some more in closet stuff etc. that he/she has to tell someone , that someone is normally you, and this has to be done before we can even get makeup near her or on her. OK OK I admit models are not the most reliable of creatures but every once in a while you get a model that looks great comes pretty well prepared and wants to make great photos. I have been fortunate to work with a few of these models and from a photographers point of view it is a whole lot easier to get great pictures when you work with them. The model that arrives on time and ready will get better photos at the end of the day because the photographer can now concentrate on getting good shots and not worrying about saying something that will cause tears etc. On this shoot another model was supposed to be there but she did not pitch. Jana was on time and prepared etc. When she heard that the other model was not going to be there the attitude was great more time to spend being photographed. As it turned out the extra time spent with her gave me some really great extra looks. Ebony did the makeup on this shoot and Im real happy how the whole thing came out.

Jana was a fantastic model and really easy an fun to work with. She clowned around and we all had fun when a model is at ease the best shots are captured. Even though we shot some sinister looking stuff there is a glint of something in the eyes and that seems to make all the difference in the shots.

The photography side was simple has Zack Arais has a wonderful tutorial on seamless white background check it out. www.zarias.com
I used the tutorials and a bit of experimenting to get the photos to way I wanted them.

As for post just a little bit of correcting here and there added a lighting effect for one and a bit of vignetting across the board. Black and whites where converted using the red channel mostly. The reason being the red filter makes the skin tones look better and lighter in black and white.

And there you have it folks some good solid photos.

The Halloween Serial , The Goul and the Ghost (Part 2 & 3)

Pictures from shoot at HT Fotography Studio
Model/s: Alan and Eve you can guess who is who.
Make-Up: Ebony
Photographer: Henrik

Equipment : Canon 40D & 24-70 f2.8
Focal Length : 45mm
Aperture : F7.1
ISO : 100
Shutter speed : 160
























Equipment : Canon 40D & 24-70 f2.8
Focal Length : 42mm
Aperture : F11
ISO : 100
Shutter speed : 160























These Photos are my next installment to my Halloween series. Part 2 and 3
So I have been in the UK for a while and boy did it seem to go very fast. I can tell you that as fast as it seemed to arrive getting the bags ready and all that, the faster the time seemed to go. And now I'm back in sunny South Africa. The blog was not updated due to not having a monitor I was sure of and the various tools that are needed to post process these little monsters. And when I was siting in front of a monitor that was good I was just backing up the photos I had taken that day. There are soooooo many photos - Damn that 6.5 frames per second. In my cameras defense there is a moron who keeps holding the shutter release button down so anyway. The reason I do this is I live in the hope I will get a sharp frame or two in the batch. I can tell you it works for me. I learnt a lot from my little travel experience like what equipment to take and what not to. Before I left SA for my world tour (I wish unless world is UK and Denmark) I phoned up my friend Alan and the call was something like this. H-"Hi Alan how you?" A-"Good" H-"Alan would you like to look like a Ghoul next Saturday?" A-"hmm Cool" H-" 9am good for you?" A- "Yea see you then"
I got to say that it was about the most easy bunch of convincing I ever had to do. I sort of thought he was not going to be there because perhaps he thought it was a joke. Sure enough though he was there.
Ebony was also there to do make-up That was a bit more of a task to get her there. Ebony is on board with me 110% on this project and with out her there would be no Halloween serial. Here is the challenge. Ebony has many talents and uses just about all of them. I mean to just give you an idea she designs dresses and makes them, she does tattoo designs and the tattoo artists put them on skin, she is the lead singer on a metal band called Theater Runs Red that is doing well at the moment and travels South Africa playing gigs, she also does theatrical make-up and fashion make-up and does body painting and wedding make-up. There are so many other things she does I cant even remember half of them. Needless to says she is very very busy. So for my schedule and hers to align I can tell you its difficult so if I can get a gap in her schedule I move mine.

On to the shoot. The setup was very similar to the last one (jack-o-lantern) and with the exception of a few strobe height adjustments Ghoul and Ghost were the same. The reason for this is that the look Im going for is controlled by the light. Im trying to create a similarity between the characters so the dramatic look needs to stay constant. Basically I think it has.

The shoot is simple the background is a black cloth simple as that. The light (as in one) is a single strobe on the left shot through a large softbox. It is in close and reasonably low power. I was after a dramatic look. I also want the feel of the characters to look sort of like coming out of the darkness about to murder. So no distracting nothings in the background and a bit of emphasis on the murder weapon. The part of the photoshoot feel gives that dramatic look is to get the background black and the light dramatic that's all there is to it. The rest is taken care of by Ebony and Post Processing. Since I feel Post Processing is a cheat I like that Ebony get me about 90% there. The rest is Create layers blur the top layer and used blending to get the desired effect. As you change the blending modes the program views the picture in different ways like screen is as though a light is being shone behind the picture you are viewing. They all have there uses and reasons to be used. The only real thing I did is a bit of blend and brought out those weapons with a layer mask. I feel that if the picture is taken correctly Post processing should take no longer than a few minutes. Some people love spending time time and more time burning dodging layer after layer. Me I battle to use all that. I love getting it right on camera and thinking how little Post Processing i will have to do. While I was shooting the neighbours were interested I what I was doing The look on their faces I would have loved to capture. They looked as though they were the would be victims with jaws dropped and a scared look on there faces. Who ever said photographers were fraidy cats? Just look what we have to work with menacing look people that look like they want to kill you and they got weapons at the ready. All in all a successful day was had by all so much so that Alan even left his make-up on the scare his nephews and nieces.

Flashing the Fairy

Pictures from shoot at Durban Botanical Gardens
Model: Tanja
Make-Up: own
Photographer: Henrik

Equipment : Canon 40D
Lens : 50mm f1.8
Aperture : f 10
ISO : 200
Shutter speed : 160
Flashes : Canon 580exII and 2x Canon 430 ex

Other : Manfrotto Tripods, sync cable, shoot through
umbrella and mount thingy

















Ah! Durban. Well, what can be said about it? We could say it's Africa's playground, we could say it has the world's best beaches, we could also say it is the worlds greatest HIV city and we could even say the worst politicians all hail from this city.
But today, the 31st day of this January month, in the 9th year of the 21st century, on approximately the 1st second in the 49th minute of the 10th hour, or thereabouts, I will say only Durban was @#$%^*& hot and humid.

The Botanical Gardens is one of Durban's highlights in my opinion. Many wedding photographers use the gardens as their creative shoot one-stop-shop. I can understand why. There are many great locations and different looks you can get just by moving 30 metres or so. Too bad most of the wedding photographers use about only 6 of the 100 plus spots that I can think of in the gardens to set up their shots.

Well enough moaning about the originality and creativeness of the wedding photographer and his 6 spots, I enjoy the gardens and love just going for a walk leaving the odd sync cable there and making a mad dash across town to retrieve it. etc. Seriously though, I like the surrounds and the plants are all labeled if you want to really know what they are called, and if you want they even have a guided tour. I mostly like to go and chill and sometimes take a camera along.

And now enough of the waffle, onto the pictures.

I have included a setup shot. These setup shots are a rarity. This one was taken in error. I normally plan to take a setup shot but due to (what ever factor you would like to enter into this space) I normally forget. I took this in error while I checking a setting. As mentioned the gardens have many great spots and if you go and look for it you will find this one. The tree has a hollowed out section that was just begging to have a flash placed there and used as a backdrop. With this in mind, our dear model and friend, Tanja, has been pestering us to do a fairy type themed shoot for a while. We are comfortable with her and her with us so when we go to do something like a fairy shoot with her all dressed up and me stuffing around trying to get everything just right she does not complain or get flustered she just takes it in her stride or hop depending on which bug wanted a bite.

Did I mention the bugs just loved eating Tanja, myself, my partner and my little one.

Back to pic. I wanted to kill the ambient light, and bugs, a bit (lots). So onto a tripod goes my 580 and into master it is put. A little note here : I can really understand why the pro guys use pocket wizards / sky ports because when I put a grid on the flash it did not trigger the other flashes. The reason is to do with a preflash the 580 puts out to the 430's. If the 430's don't see the actual flash from the head part, they don't go off. They don't talk with the red sensors at the bottom as some people think. So bang went the idea of just lighting very selectively.

Well, fill light the 580 will be, power was at 1/8th and zoom set to 105mm and was a far far way away. The one 430 was put facing upwards behind Tanja to light the tree at 1/4 power and at 14mm (diffuser panel out). The final one was put on a tripod on the umbrella mount thingy behind an umbrella at 1/2 power to give a nice soft light.
And then happy snapping away I went.

I am happy with what I got, but there are a few things I would have liked to do different. A bare bulb behind Tanja would have been nice (ps I forgot it at home - the tupperware thing) and the fill light perhaps a bit softer. Like behind an umbrella soft. I would like to know if the 580 would have been able set off the other flashes but I did not find out due to time, bugs, heat etc. But otherwise I'm happy. (not - I neeeeeed pocket wizards more flashes a new camera l glass ..and.....and............)