The 3 Second Question !

Pictures from shoot at Durban Beach front for Kushido
Model/s: The Karate Crew
Make-Up: maybe not - Or maybe ask Mauro I dare you - Just kidding
Photographer: Henrik

Equipment : Canon 40D
Lens: Sigma 10-20 F4.0-5.6 EX
Focal Length : 11mm
Aperture : F11
ISO : 400
Shutter speed :1/30

Oh it has been a long time since I have posted I do apologize.

I blame life in general – bad life now go and let me have more time for blogging. I wish it could work like that. But between photo shoots, placing ads and doing the fatherly thing and business side of HTFotography I have not updated the blog in a while. Well here goes Im going to do a few different posts in rapid succession I hope this being the first.

A friend of mine does karate. He seems to enjoy it quite a bit and it keeps him and fit and focused. He is quite involved in his karate. Very involved in his karate actually, he and his wife spend 4 evenings a week at training. The Dojo (classroom in Japanese) that they train at teaches self defence, self discipline and weapons skills (not the guns and ammo type weapons skills) and other thing is when they spa it is full contact sparing. Ok so no blood gets spilled, hey this is not fight club but it would be cool if it were and would make for great photography although it may require lots of equipment cleaning hmm.Let us consider this for a moment, cleaning blood off the equipment, bad, fight scenes, good, possible ambulance scenes and paramedics, good, hmm so much to consider. I won’t worry about the participants hey Im taking their photo after all. I will have to think about a different avenue of photography – Does anyone have an unused basement or alley? Anyway moving on to something that does not require too much camera equipment cleaning and a blood commitment.

The idea of this shoot started off very simply - As in not at all. My friend suggested to me that I photograph the kids at his Dojo during and after their grading. He put me in contact with is Sensea – Pronounced Sen – Say which means teacher in Japanese. For the uninitiated the grading is when they learn a routine and carry out their routine in front of the instructors. All the parts of the routine are made up of a series of moves. Each move will either block a punch or a kick etc. or throw a punch or kick etc. The instructors assess the skill and proficiency at how the kata (literal meaning is form -but I read routine) was carried out and if the student carried it out with sufficient skill they will progress to the next level where they will learn more routines and moves. Oh and just in case you are wondering the kids don’t get to play full contact with weapons only the adults get to do the silly things like that.

So I decided the one evening to go around to his Dojo to get a feel for how many kids what kind things they do and all that. Well I saw the kids and it was cool I believe the skills they learn will help later in life. I don’t just mean the moves but the learning the discipline and the eye for detail. I also stuck around to see the adults. That was a bit different. It was something like watching fluid moving art and things in the brain started to grind and it muttered those profound words of ‘I want to capture that’. Which was quite impressive since I had a serous headache that evening. And well that’s how it started. Karate people at the beach with a sunrise in the background.

The next part is not the highlight of my photographic endeavours. Yes we all make mistakes but I blame the camera. Ok maybe not I wish I could but the reality is this - my photographic brain was faulty that morning. Yea I will go with that one. Hmm sounds plausible enough. I had to do this shoot twice. The first time I shot this I made a basic mistake, Yes I did not use a tripod. And yes you can all kick me now. Ok you can stop now it hurts. It’s a good lesson to one and all, just because you have all the flashes and the panels and rubbish that goes with it, it is the basics that will ensure you don’t screw up a shot. The basics – The basics I tell you!!! So this is where I show you where things went wrong.

Here is a photo of the Sensei - Mauro a nice guy. He is cool and by the way he went to Japan to study with the old masters to learn the correct karate technique oh and did I mention he’s been doing karate since he could walk or just about. So he really knows his stuff. So that black halo around him is not the black halo of karate coolness it is the in fact the black halo of slap-that-photographer-up-side-the-head-hand-held-preventable-camera-shake uncoolness they can be easily mistaken but it really depends on whether or not the client gives you a second chance or not. So some people may want this black halo look but not me. It really is not that hard to achieve take the picture let the flashes pop and let the shutter stay open a while and shake the camera slightly hey there you go – the black halo of coolness or uncoolness appears.

I pretty sure Mauro could take out a guy in about 3 seconds flat or there abouts. With that in mind imagine the happy and not so happy emotions that were going through my head as I was looking at the photos on my computer screen murmuring something like ‘I’m going to get hurt.’ I remember when I was shooting, the pictures on the camera back looked good no black halos. But to be honest I should have engaged the brain a bit harder to help the already failing photographic brain. Black halos all round maybe was caused by the CF card being in the camera too long because while shooting everything is good and as soon as the images stay on the card for some time they conspire to turn blurry or ugly or some suddenly want to overexpose or underexpose. Or not! Hey Im trying to think of good excuses for a re-shoot with the client. Well considering I had to haul Mauro and his band of merry men out of bed and have them meet me at Durban beach front at 5:30 in full kit to pull poses and mock fight slowly so I can capture the moves. I did not believe he would be very happy. So I worked feverishly trying to salvage those pictures to no avail. There does not seem to be a ‘remove black halos and blend really nicely and look natural button’ on any of the post processing programs. Tried retouching one picture and about 45mins in it was plain to see this was not working. Next best option was to work on a few of the salvageable pictures and ditch the rest and then ‘The Call’ had to be made. Fortunately I had spent a little bit of time with adults class one of the things Mauro said to his class and it was making reference to the kata the students learn, was when you are being graded you may look good and doing the moves correctly but only you in yourself know weather or not that was your best performance. An interesting little gem of wisdom. It is very similar in my photography. I, in some way feel every time I photograph something for someone it’s little like I’m being graded. I am also the only one the really knows if I can do better or if that was my best. So with the 3 second kill move and that little gem in mind ‘The Call’ was made It went something like ‘Hi Mauro how you doing?‘ ‘Hi good thanks and how are you doing?‘ ‘Well and, well not so good I would like to redo the shoot…. ‘ there was a pause – I wondered if he was thinking of his 3 second kill move. And then the ‘OK but why?‘ answer. Phew no 3 second kill move I hope. So I explained about the black halos of karate coolness and all that and I also added ‘I can do A LOT better!’. So I took along the rescued pictures to Mauro and found he liked them. Now all I had to do was nail the 2^nd shoot or Im sure I would have experienced the 3 second kill move.

Fortunately for me I did, at least I think so. So another wake up at 4:00am and get to the beach with all the equipment at 5:30am all ready to shoot. Joy.

The real life dependent shoot was done with 3 flashes a diffuser panel and an umbrella. Again I wish I had full set of radio poppers or pocket wizards etc. The flashy flashy TTL thing is pretty crappy and very unreliable not that anyone else’s flashy flashy system is any better but that’s my rant on the matter. Im starting to get to grips with the TTL metering system more and more but I do find it is still a bit cumbersome. All the photos were done using the ETTL system with +1 or -1 dialled in. All the flashes were on channel 1 and group A. A 1m x 1m panel diffuser panel was used and that was camera left and an umbrella was used for a bit of fill and that was camera right. I used a Canon 580EX II as the master on a TTL cable. This is great and until I can get the fancy pocket wizards to keep the ttl functionality this 7.5m cable is the best thing to trigger the flashes off camera and maintain hi speed sync, zoom etc. The 580EX II was on a light stand and was clamped right next to one of the 430 EX’s so they shared the load of lighting the 1m x 1m panel. The other 430EX was behind the umbrella which is where the flashy flashy rubbish falls down. I had to position the flash in a way that the flash sensor could see the 580’s trigger signal. And since the

trigger has to go through a diffuser panel its not the most reliable. But luckily for me it started working after a little bit of moving around, positioning of the umbrella, an incantation

followed by a blood ritual and the throwing of holy water. Well maybe not the blood ritual or the holy water but definitely the incantation. I had to use all sorts of things to try weight down the diffuser panel’s stand as the wind picked up a bit. The setup pretty much stayed as is due to having to hold everything weighted down. From there on it did not go too badly the TTL seemed to work nicely a few times the flashes would get upset but generally the system worked well as we went a +1 flash compensation -1 and so on depending on where the karate guys positioned themselves. I shot on manual to control the ambient and let the system decide how much flash it needed to expose correctly. I was also using the Sigma 10-20 F4.0–5.6 EX wide angle lens. I like this lens quite a bit actually more and more as I use it. I would like to get a 17-40 or a 16-35 when I get a full frame camera but for now on my cropped frame sensor 40D this lens rocks. I normally use canon L series lenses for all my work but I thought I would buy the highly rated Sigma to see how the wide angle suits my photography. For the cost of the lens, the quality and images it delivers you get a lot for your money. My L lenses are still better but I got to say the Sigma is not too bad. I thought I will try to get some interesting perspective shots. I wanted to do a few shots that felt like you were about to get smacked by the various weapons. The bow (or long stick) I thought was quite nice.

Most of these were shot at between F11 and F13 and ISO 400. The F11 and up was to get sharp results and the depth of field The noise does not seem to be bad at all the only real place it seems to be noticeable is in the very dark shadow areas in the background. A light application of Canons DPP software noise reduction seems to sort it out nicely. The only post processing is really white balance and a bit of a touchup on the bottom left where the light spilled the problem is they needed to be close enough to be lit properly and I could not really move much around. If I had a black cloth I would have killed the spill but I did not have anything that would work so fixing in post, it would have to be. The posing side was easy and went something like this ‘OK guys what poses would you like to do?’ and that was that really. ‘I’ll do this’ and then after a few frames ‘I’ll do that’ and pose after pose it was dynamite stuff after all this is the real thing that soo many B grade movies have been based on. Not to say these guys are in anyway B grade. I just recall in the movies the characters pulling moves and stopping for a second before attacking. That is seemingly what a lot of the 80’s B grade martial arts movies were about. Enter, Pull a Move, Attack unconvincingly get knock about get up have a second go and knock out the ‘baddie’. Repeat scene 4 – 5 times during movie.

A few things I would like to have done better is on the diffuser panel there was some light spilling from the flashes on the ground that needed to be sorted out in post. I think I will need to mod it a bit to include a black cloth to stop the spill. Another thing is the white and black suits are cool but that black suit pants that Mauro was using has to be one of the most light sucking things I’ve come across in a long time. Maybe a snooted flash on just his clothes would have helped. The other thing I’ve come to realize is the need of a dedicated assistant. That would save me a lot of time and grey hairs. Another shoot I did the pictures came out Ok but I feel if I had spent less time worrying about moving the lighting, hand holding a flash, balancing with my camera dangling about etc. and more time on posing the couple moving to a different locations and concentrating more on the things that make a good photo it could have been even better. But that at least will be remedied soon I hope.

Photographer: Henrik
Equipment : Canon 40D

Lens : Sigma 10-20 F4.0 - 5.6 EX

Focal Length : 16mm
Aperture : F13
ISO : 400
Shutter speed : 1/250th

Photographer: Henrik
Equipment : Canon 40D

Lens : Sigma 10-20 F4.0 - 5.6 EX

Focal Length : 12mm
Aperture : F11
ISO : 400
Shutter speed : 1/250th

Photographer: Henrik
Equipment : Canon 40D

Lens : Sigma 10-20 F4.0 - 5.6 EX

Focal Length : 14mm
Aperture : F13
ISO : 400
Shutter speed : 1/250th